Arcilesi |Homberg is pleased to present “Musing” a two-person show featuring works by Vincent Arcilesi and Katelyn Alain. The title of the exhibit posits that painting, like poetry, is the spontaneous overflow of powerful feelings that originate in emotion recollected in tranquility. The works on exhibit here prove the point handily.
Jar of Nails – people would find a jar of nails inside the walls of old Pennsylvania dutch homes, they were there as a talisman against witches and evil spirits.
Back Wall: Wayside Destiny – a ghost story about a man that road on a train, saw a beautiful woman standing at a cemetery across the river from the next town he was staying in, he borrowed a boat, crossed the river, saw the woman again there, she was mourning the death of someone, then she disappeared. he went back to the town and ran into a girl that looked just like her at a general store, that girl was the woman’s mother. the man then married the girl. (sorry it’s not as beautifully told as the original, but it makes a good picture)
The Story of Job title was taken from the bible, in the bible Job lived a good life, had dozens of kids, a good wife, a huge farm, lots of money and he thanked and praised god everyday. The devil was talking to god and said yeah Job’s a good man, but He wouldn’t like you so much if you took everything away from him, so as a test god, took his fortune away, his wife left him, his kids all died, Job even became a leper, but he still prayed and looked up to god. So the devil was wrong, god was right and so god gave Job back everything he once had and much more. That’s where the saying “the patience of Job” came from. One of my friend’s (even though they weren’t Christian) said I should read that story because when I was in the hospital sick with ulcerative colitis (near death) in 2003. I didn’t give up, I stayed happy by drawing pictures.
Job Johnson is my alter ego that I created out of 1. my family always pressuring me to make pictures of farms and landscapes for them. 2. Inspiration from seeing all the Vincent Van Gogh drawings at the Metropolitan Museum of Art a year before. 3. Inspiration from my great Aunt Mae and all the stories she used to tell me as a kid, after she passed away I needed a way to preserve some of these stories, from her and my grandparents too. 4. reading the collected folklore from Henry W. Shoemaker and looking at all the ancient photos in that book, wondering what it would be like living and making art in North Central Pennsylvania at the turn of the last century.
Job Johnson was born, I learned to make paper in graduate school, could make it at home with scraps of acid free mats from the local frame shop I work at. Make drawings on it, and then frame them out of really old looking tree branches. Like objects. Relics from the past. It was important for me to make a story for Job, and set him in an earlier time period, the beginning of the industrial revolution. A time when the old ways, traditions and superstitions gave way to the modern and the clash that was happening at the time. My pap (He’s 98 years old now) once told me that he remembered a new automobile, a model T once collided with a horse and wagon. killing everyone including the horses. (This picture has yet to be made) I’m interested in the victims that were left behind in this transition, the wolf, the mountain lion, the great white pine tree. In hopes that people will see the correlation with today’s society.
An alter ego frees me up from the concern of having to be stylistically modern. the work is anti-modern. So I, Jeremiah Johnson can continue to keep making the modern work that I do.
Thursday May 14th, 6-9pm
Exhibition Dates: May 14th – June 7th
Gallery Hours Wed.-Sun.12-6pm
The Job Johnson project is an on-going collection of oral and written stories, family history, and landmarks from central Pennsylvania as told through the drawings done by an alter ego named Job Johnson who lived at the beginning of the Industrial Era. (1860 to 1937)
The project incorporates folklore from a historical first person narrative perspective. These works reflect a need for conservation as well as those tiny, nearly forgotten reminders of Pennsylvania’s multicultural roots. Each drawing that I’ve made for this project is done on my own hand-made paper framed in hand-built recycled wood frames.
Episode 140: Jeremiah Johnson joins us from Williamsport, Pennsylvania where he maintains a very intensive and multidisciplinary studio practice that explores life experience, culture, and folklore. Jeremiah also shares insight into his alter ego Job Johnson, the impetus for his upcoming exhibition entitled The Story of Job which opens at Arcilesi/Homberg Fine Art in May.