Opening: Thursday February 11th, 6-9pm
Click Play (above) to listen to the audio: “um and uh” by Christina Freeman
The Story of Job title was taken from the bible, in the bible Job lived a good life, had dozens of kids, a good wife, a huge farm, lots of money and he thanked and praised god everyday. The devil was talking to god and said yeah Job’s a good man, but He wouldn’t like you so much if you took everything away from him, so as a test god, took his fortune away, his wife left him, his kids all died, Job even became a leper, but he still prayed and looked up to god. So the devil was wrong, god was right and so god gave Job back everything he once had and much more. That’s where the saying “the patience of Job” came from. One of my friend’s (even though they weren’t Christian) said I should read that story because when I was in the hospital sick with ulcerative colitis (near death) in 2003. I didn’t give up, I stayed happy by drawing pictures.
Job Johnson is my alter ego that I created out of 1. my family always pressuring me to make pictures of farms and landscapes for them. 2. Inspiration from seeing all the Vincent Van Gogh drawings at the Metropolitan Museum of Art a year before. 3. Inspiration from my great Aunt Mae and all the stories she used to tell me as a kid, after she passed away I needed a way to preserve some of these stories, from her and my grandparents too. 4. reading the collected folklore from Henry W. Shoemaker and looking at all the ancient photos in that book, wondering what it would be like living and making art in North Central Pennsylvania at the turn of the last century.
Job Johnson was born, I learned to make paper in graduate school, could make it at home with scraps of acid free mats from the local frame shop I work at. Make drawings on it, and then frame them out of really old looking tree branches. Like objects. Relics from the past. It was important for me to make a story for Job, and set him in an earlier time period, the beginning of the industrial revolution. A time when the old ways, traditions and superstitions gave way to the modern and the clash that was happening at the time. My pap (He’s 98 years old now) once told me that he remembered a new automobile, a model T once collided with a horse and wagon. killing everyone including the horses. (This picture has yet to be made) I’m interested in the victims that were left behind in this transition, the wolf, the mountain lion, the great white pine tree. In hopes that people will see the correlation with today’s society.
An alter ego frees me up from the concern of having to be stylistically modern. the work is anti-modern. So I, Jeremiah Johnson can continue to keep making the modern work that I do.
Gallery hours: Wednesday – Sunday 12 pm – 6 pm and by appointment.
139 Eldridge St.New York, NY 10002
212-810-7716 or 347-743-4132
“Long time DUMBO artist, Wynne Noble, is a potter, sculptor, teacher, artist extraordinaire. Over the years she has created work that’s appeared in many galleries, many high end stores, and has even participated in many DUMBO Arts Festivals. Meet the lady behind the wheel as DUMBO BID fellow Rachel Hamburger, sits down for a chat about art, the duality of nature, and Wynne’s pottery classes.
How long have you been in DUMBO?
Wynne Noble: I have been here for about 30 years now.
So you have seen the neighborhood really evolve over the years. How did you end up in DUMBO?
WN: Oh absolutely. I was working in Soho and then was priced out.
Have you always been interested in pottery?
WN: Always. My interested started as a young girl. I saw a potter making something clay and I said, wow! I want to be that magician.
What inspires you as an artist?