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Press Release – Vincent Arcilesi Retrospective

Vincent Arcilesi Retrospective 2017

Opening Reception:
Thursday, October 26, 2017 from 6 – 9pm
On View: Friday, October 27 – October 29 | 12pm – 6pm
https://vincentarcilesiretrospective.aha-fineart.com/

Francesca Arcilesi and Norma Homberg, in collaboration with Vincent Arcilesi, are pleased to present Vincent Arcilesi’s Retrospective. The opening reception will be held on Thursday, October 26th from 6-9PM at The Highline Loft at 508 West 26th Street, Loft # 5G in Manhattan, NY.

The exhibition features a unique array of work including mural-esque large scale figurative paintings, medium size figurative and landscape paintings, drawings, lithographs, and one watercolor. The show begins with the artist’s first ever oil on canvas entitled Scenes from the Life of Christ. This work was created at age fifteen at the Missouri Baptist Children’s Home, where Arcilesi and his brother, Richard, were placed at ages two and four after their mother died and their father, Vincenzo Proia Arcilesi went blind. Connecting the influences of his religious upbringing to his mid-career and contemporary work, the show then segues into figurative and landscape painting, reflecting his profound investigation of the body and themes of the sublime within nature. The works on view undoubtedly call attention to Arcilesi’s technique and the valorousness of his subject matter.

Arcilesi’s Artist and Models, 1972 (above left), depicts arrangements of models and Arcilesi facing his wife, cradling his one year old son, Piero in his studio in Chicago. Arcilesi explores visual patterns and movement that the light creates on the still bodies. The tableau of figures evoke feelings of elation, sensuality and sadness, as the models are seemingly part of the family unit. The reclining figure is suggested by Theodore Gericault’s figures of Raft of the Medusa, 1818. Instead, Arcilesi emphasizes the sensuality of the pose rather than it’s brutality. The woman seductively reclining, hair fanned across the floor, cascades dramatically across the canvas. Pushed to the foreground, a larger-than-life female model stands boldly astride. Arcilesi captures nuanced emotions with realism, leaving the viewer with resonating ambiguity. Arcilesi’s models are often drawn with inspiration from the divine. Shown left is Arcilesi’s classical drawing, Study for Venus in Villa Medici, 2009, which depicts the model in a Botticelli-like pose, exploring and emphasizing her sensual statuesque beauty.

Summer Day in Agrigento, 1994 (right) completes the show as Arcilesi presents his beloved mother Lucia Anderson Burnett, as he remembers her before her early death at age thirty-six. Rendered in a dream- like sequence, beautifully adorned in a wedding dress, she is enigmatically placed amongst the verdant Sicilian landscape. Keeping with his theme, lovers canoodle in the foreground as a Gauguinesque figure offers a flower as the sky recedes back to the classical Greek Temple in Agrigento, Sicily.

Arcilesi attended Furman University in Greenville, SC. Receiving a BFA in Design at the University of Oklahoma, he eventually moved to Chicago to achieve a BFA and MFA in Drawing and Painting at the School of the Art Institute of Chicago, which is where he met his wife Nan Chapin Arcilesi. Arcilesi has exhibited in NYC and internationally extensively since 1966, within solo shows and museum shows including The Whitney Biennial, the Brooklyn Museum, the Butler Institute of American Art (Youngstown, Ohio), the San Francisco Museum of Art, the Corcoran Gallery of Art, Washington, DC, and the Museum of Modern and Contemporary Art in Verona, Italy. His work is included in a number of books and publications and he is also represented in collections both public and private, including the Hirshhorn Museum, Washington DC, the Museum of Contemporary Art, Chicago, IL and The Art Institute of Chicago, IL. He retired in 2015 as full professor at FIT, where he taught life drawing and painting.

Arcilesi is nothing less than a humble master, translating the beautiful spirits that emanate from nature through his paintings, feeding the souls of humanity and celebrating existence. The artist’s travels and muses have inspired his truly prolific paintings, which reach out and touch the viewer through elegant provocation. Edward Lucie-Smith fittingly describes Arcilesi as a fiercely independent artist in his book American Realism.
“Seduction of the viewer has always been foremost in the art of Vincent Arcilesi.”- Ed McMcCormack, Gallery & Studio Magazine.

A special remembrance to Sherli Evans who has written and edited Vincent Arcilesi’s work until her death in August 17, 2016.

 

For more information and visuals, please contact Norma Homberg or Francesca Arcilesi: Norma@aha-fineart.com or Francesca@aha-fineart.com

For more information and visuals view:
https://vincentarcilesiretrospective.aha-fineart.com/

Download Press Release as PDF

or contact Norma Homberg or Francesca Arcilesi:
Norma@aha-fineart.com or Francesca@aha-fineart.com

“LOST IN RHYTHM”

Press Release – “LOST IN RHYTHM”

George W. W. Brewster and Evan Venegas

On View: April 7th – April 28th, 2016

Arcilesi | Homberg Fine Art is pleased to present Lost in Rhythm, a two person show featuring works by Evan Venegas and George W. W. Brewster. The show runs from April 7 – April 28, 2016 with an opening reception on Thursday, April 7 from 6-8 PM at 139 Eldridge Street, New York, NY. The show will feature abstract paintings consisting of acrylic paint on panel and oil paint on canvas.

Although their work draws from different inspirations, Venegas’s and Brewster’s work reference the indefinite rhythms recorded by their memory and interpretations of interior spaces, urban settings and elements in nature that coalesce through a controlled and intemperate approach to painting. “The grid itself leaves nothing to question: it is symbolic of things in life that are absolute – breath, gravity and light.” – Evan Venegas. Both Venegas and Brewster express their emotional data and inspirations by manipulating their work with defined palettes and lines, sometimes mimicking rhythms and sound patterns of music. For Brewster, “The palettes range like the seasons and tides and abstract subjects reflect his surroundings.”- Ivan Brewster (grandson of George W. W. Brewster)

George W.W. Brewster (1907 – 1981)

seaward

Born in the Boston area, George W.W. Brewster graduated from Harvard’s School of Design where he studied both painting and architecture. Known for his distinctive semi-abstract style, Brewster predominantly portrays landscapes combining the elements of land, shore, water and sky. He began his career in architecture, even gaining a commendation by Frank Lloyd Wright. Brewster returned to his love of painting in 1960 and closed his architectural firm. He studied under Barbara Swann in Boston and developed a distinctive semi-abstract style, predominantly portraying landscapes that combine elements of land, shore, water    and sky. His paintings reside in the Farnsworth Museum, Portland Museum, and Harvard University as well as in many private collections in the United States. MOMA featured a kitchen designed by Brewster in homage to the Frankfurt Kitchen. Brewster is represented by Peyton Fey Gallery in Santa Fe, NM. His work was also featured in two solo shows in Boston at Boris Mirsky Gallery and two solo show in New York at Bodley Gallery.

 

Evan Venegas (born 1975)Lost_Grid_Evan_Venagas

New York based painter, Evan Venegas studied painting at Parsons School of Design in New York as well as the San Francisco Art Institute. Venegas seeks to create an experience or a state of mind that inspires a change in perception or a focused consciousness. The constant fine tuning and exploration of shape, color, and scale are what best allow for this experience. The shapes in my work are individual pieces of a puzzle, laid out for the viewers imagination to create and assemble an experience that is unique and personal. For Evan Venegas Human anatomy, car parts, faces, tea cups, architectural elements, and letters are all objects that have been described as being seen in his work. Ultimately, Venegas asserts, there is no right or wrong answer, as they are open to wide interpretation.

For more information and visuals, please contact Francesca Arcilesi Francesca@aha-fineart.com or Norma Homberg Norma@aha-fineart.com.

“leftovers”

The new AHA Group Show about our trash”

April 2 – May 3, 2015

Leftovers - a show about our trash

The work shown ranges from video installations in portholes to micro-mini hyper realistic paintings pinned onto the wall. The subjects dealt with promote environmetal awareness by encouraging a re-thinking of our daily patterns. Leftovers contributes to the ongoing commentary and debate surrounding the problems of garbage disposal, and/or recycling such as where and when we recycle, and just who has access to recycling

The New Town Creek Armada, consisting of Sarah Nelson Wright, Laura Chipley, and Nathan Kensinger, combines multi-media with film footage to a powerfully communicative affect by investigating and exposing illegal dumping in various bodies of water and other sites. Also, Christina Freeman addresses related issues with her installation of a participatory work which employs an open suitcase. Gallery visitors are invited to bring in and exchange anything from an item of clothing to knickknacks to food.

Scott Sjobakken and Rachel Grobstein similarly call attention to the problems of recycling and trash disposal by painting in a hyper-realistic fashion. Both artists depict more than realistic renditions of literal trash such as cigarette butts and garbage bags, both playing with puns. Rachel Grobstein creates smaller-than-small, three-dimensional, pieces hand-painted on paper that seem to float on the wall. The piece de resistance here, and perhaps of the entire show, is a Liliputian roll of toilet paper 1/8” in diameter.

http://www.aha-fineart.com/events.html